I've been caught out by Peter James and his protagonist Roy Grace not once, but twice before. The first two books in the series intrigued me and I read them, then I realised I'd been had. Police procedurals can be good fun, but only (and this is a vital point) if you believe in the central character.
This was the problem I had, nothing in the character of 'Roy Grace' from his name to the way he behaved to the products he owned rang true with me, which was why I gave up on the series. The books were extremely well written and decently plotted, but there was just something about the main man that really didn't gel. So, that was that, millions of other books out there, no need to return to something that wasn't doing it for me.
So, why on earth have I returned to Brighton (and Hove) and the world of Roy Grace? Anyone with an eye on the book business will have an inkling. It's all to do with price points, Amazon are offering a very few new releases at the stunning price of twenty pence. I struggle to think what else you can actually buy for that amount - probably what I think of as a penny chew and then settle on a copy of the 'i' newspaper.
That's what the book is up against then, a read today, throw away tomorrow newspaper that is pitching itself slightly above 'Metro'. How did it do?
The surprising answer is - actually reasonably well. I still find Grace a cardboard cutout character carted unconvincingly into circumstances. He appears to have got himself a 'stunnah' for a girlfriend, so far so irritating and the dangling sub-plot of a missing ex-wife is still being milked to tedious levels.
My cewdulity dropped even lower when we left Brighton for a load of sub-Sopranos Noo Joisey gangster nonsense, with more terrible characterisation. But there is a curious quality behind all this, if Grace (and a few of the other characters) could be kept away from the action, there is an excellent thriller here.
The action kept coming, the violent scenes were nasty enough to keep you reading and the pace made you want to find out what happened at the end. Fundamentally though, some frankly unlikely characters and a propensity to wear its research very heavily let it down. That said, it has to be the best lock-based 'tec outing since Vic Warshawski tried to find out what happened to cousin Boom-Boom.
So much for the story, how about the marketing channel? They got me to buy, and read, a book I would have otherwise ignored and twenty of my hard earned pence for it. So, that is success? Well, up to a point.
Would I buy another of these? That's an easy one to answer, at twenty or fewer pence, I'm probably there. If it was a great deal more, probably not. The cheap price simply confirmed my prejudices against the main character and my feeling that the author is a better writer than this series is allowing him to be.